[Stardust]

http://www.usatoday.com/news/religion/20...ship_N.htm

By Kevin Eckstrom, Religion News Service

When sex symbol Rudolph Valentino died at the age of 31 in 1926, riots broke out as tens of thousands of mourners tried to cram themselves into a public viewing in New York.
It was, says Emory University's Gary Laderman, "a new kind of sacred attachment, one based on fame and looks, personality and stardom." Call it the birth of the First Church of Celebrity Worship.

Laderman's new book, Sacred Matters: Celebrity Worship, Sexual Ecstasies, the Living Dead and Other Signs of Religious Life in the United States, probes America's obsession at the altar of celebrity. Pop icon Michael Jackson's death at age 50, he said, brings that faith into "sharp relief."


FAITH & REASON: More from Laderman on Michael's life as 'morality play'
TIMELINE: Video and images through the life of Michael Jackson
IN APPRECIATION: King of Pop's artistic legacy spans decades

Q: If Michael Jackson was the king of pop, is this going to be the mother of all funerals?

A: That's hard to say. It's already unfolding like other celebrity deaths that rocked the world —Princess Diana and Elvis. I don't think it's going to break the mold, but (it) certainly will bring into sharp relief the kind of devotion and investment people have made in this kind of celebrity.

Q: The public grief over Jackson is obviously a reaction to his death, but you seem to argue that it's a sign of life for a different kind of American religion. What do you mean?

A: This brings out what people understand to be sacred. Celebrity, and the response to the death of a celebrity, is a source of sacred life for many people. When you go outside of the normal conventional religious places, you see other signs of religious life that are usually tied to ideas of the sacred.

Q: Jackson died at 50, and Farah Fawcett at a relatively young 62 — does that make them particular kinds of pop culture martyrs, dying before their time?

A: The impact is much stronger because they died young and the public didn't see them age. I don't think that aging necessarily diminishes the power of celebrity, but it's a different response than when someone like Ed McMahon dies who has lived a full life.

Q: You write that "celebrity icons arouse the religious passions of followers ... who find spiritual meaning, personal fulfillment and awe-inspiring motivation in the presence of these idols." Tell me more.

A: When you look around and see how people invest in these idols — and I'm using a broad understanding of investment — it's also a spiritual investment. It's more than just material, or financial. People draw from that spiritual connection notions of identity, a sense of the sacred, the potential for transformation, a set of moral values, the sense of possibility of transcendence or overcoming the limitations of life. Whether in traditional religion or pop culture, you find the same kind of motivation, the same kind of meaning-making, through celebrity.

Q: So it's about more than just buying their CDs or watching their films.

A: Yes, you could say that, but the material artifacts — the means of communication, the forms of community — are also very powerful.