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09-12-2011, 12:00 PM
Jeff discusses how the Wrestling Revolution Project will mimic traditional sitcom structure: "Imagine if HBO said [â¦] âWeâre going to do the genre of wrestling the HBO way.â Thatâs what Iâm trying to do. Itâs very clearly a wrestling show [...] a lot of people may look at early episodes and say, âthis is deceptively simple.â But, in terms of its themes, what drives the story (action being an extension of character), and more importantly a three-act narrative."
Katz on how WWE programming has become outdated: "WWE is in the business of accruing new content [to fill a network]. On the other hand, theyâre still producing television [â¦] The larger WWE storytelling model is something created during the Monday Night Wars era [which predates] YouTube, Netflix, OnDemand, BitTorrent, iTunes, Hulu [â¦] the model itself has to get reconsidered."
Katz on the need to take risks when one is displeased with current programming: "Iâd rather have [my audience] raise their bar to enjoy something, than lower it [â¦] While we have an odd road using Kickstarter and these things to get there, youâve got your movie financed and via Image youâve got your distribution. Iâm playing with house money. Iâm going to go tell my story; deal with the themes and characters I want to deal with; set my universe up. If people like it, Iâd love to return to it [â¦] But, if they donât, I went and did it."
What drew him to casting certain characters for the Wrestling Revolution Project: "Iâm a fan, I watch Japan, I have a pretty good âstudent of the gameâ knowledge of the business. Frankly, I had a script that I locked real quick and I cast according to characters as I would when making a movie [â¦] Iâm a wrestling nerd. [â¦.] All of these guys have bought in entirely to the creative concept. MVP doesnât need to do this. MVP is very happy in Japan and doesnât have to do anything that exposes him to WWE, but creatively, he got it."
Katz on how WWE programming has become outdated: "WWE is in the business of accruing new content [to fill a network]. On the other hand, theyâre still producing television [â¦] The larger WWE storytelling model is something created during the Monday Night Wars era [which predates] YouTube, Netflix, OnDemand, BitTorrent, iTunes, Hulu [â¦] the model itself has to get reconsidered."
Katz on the need to take risks when one is displeased with current programming: "Iâd rather have [my audience] raise their bar to enjoy something, than lower it [â¦] While we have an odd road using Kickstarter and these things to get there, youâve got your movie financed and via Image youâve got your distribution. Iâm playing with house money. Iâm going to go tell my story; deal with the themes and characters I want to deal with; set my universe up. If people like it, Iâd love to return to it [â¦] But, if they donât, I went and did it."
What drew him to casting certain characters for the Wrestling Revolution Project: "Iâm a fan, I watch Japan, I have a pretty good âstudent of the gameâ knowledge of the business. Frankly, I had a script that I locked real quick and I cast according to characters as I would when making a movie [â¦] Iâm a wrestling nerd. [â¦.] All of these guys have bought in entirely to the creative concept. MVP doesnât need to do this. MVP is very happy in Japan and doesnât have to do anything that exposes him to WWE, but creatively, he got it."
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Wrestling Revolution Project promoter Jeff Katz talks aobut his promotion - by Stardust - 09-12-2011, 12:00 PM
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